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home·artworks·Henry William Greville (1801–1872)
Henry William Greville (1801–1872) by John Jackson

plate no. 5757

Henry William Greville (1801–1872)

John Jackson, 1830

oilRococoportraitportraitfiguremanclothinghairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering realistic skin tones and clothing folds. It also provides practice in creating depth and form using subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's proportions and pose on the canvas.

  2. step 02

    Block in the main areas of color: skin, hair, clothing, and background.

  3. step 03

    Start refining the skin tones, paying attention to highlights and shadows.

  4. step 04

    Develop the details of the face, focusing on the eyes, nose, and mouth.

  5. step 05

    Work on the clothing, rendering the folds and textures.

  6. step 06

    Refine the hair, adding highlights and shadows to create volume.

  7. step 07

    Adjust the background to create depth and contrast.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · titanium white · raw umber · cadmium red

secondary · yellow ochre · ultramarine blue

Mix skin tones using white, raw umber, yellow ochre, and a touch of red. Create darks by mixing black and umber. Use ultramarine blue to cool down shadows.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the skin tones and losing the freshness of the paint.
  • →Failing to capture the likeness of the subject.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle value changes that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (ivory black, titanium white, raw umber, cadmium red, yellow ochre, ultramarine blue)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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