apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Hell
Hell by Dirk Bouts

plate no. 7987

Hell

Dirk Bouts, 1450

oil, woodNorthern Renaissancereligious paintinghellfiguresdemonslandscapetorturefire
advanced study

Recreating this painting will help students develop skills in figure drawing, rendering skin tones, and creating a complex, multi-layered composition. It also provides practice in depicting dramatic lighting and creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 60 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and landscape elements.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background elements, focusing on creating depth through variations in tone and color.

  4. step 04

    Begin to refine the figures, paying close attention to anatomy and proportions.

  5. step 05

    Layer in details, such as facial expressions, textures, and highlights.

  6. step 06

    Work on the demonic figures, using darker tones and exaggerated features.

  7. step 07

    Adjust the overall lighting and contrast to create a dramatic effect.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · burnt umber · ivory black · titanium white · yellow ochre

secondary · cadmium red · ultramarine blue · raw sienna

Mix various shades of brown and grey by combining burnt umber, ivory black, and titanium white. Add small amounts of yellow ochre or cadmium red to create warmer tones for skin and fire. Use ultramarine blue to cool down the shadows.

techniques

  • ·figure drawing
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate figure proportions and anatomy.
  • →Overworking the painting and losing the freshness of the initial layers.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 0-4)
  • ·flat brushes (sizes 2-8)
  • ·linseed oil

optional

  • ·palette knife
  • ·damar varnish
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley