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home·artworks·Hector Taking Leave Of Andromache
Hector Taking Leave Of Andromache by Jean II Restout

plate no. 1898

Hector Taking Leave Of Andromache

Jean II Restout

oilRococomythological paintingfigureshorsesarchitecturecityscapesoldiersmythology
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery painting, and creating depth through atmospheric perspective. It also provides practice in rendering complex compositions with many elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures, horses, and architectural elements.

  2. step 02

    Establish the overall composition and perspective, paying attention to the placement of the figures.

  3. step 03

    Block in the main color masses for the sky, buildings, and figures using thin washes.

  4. step 04

    Develop the figures, starting with the central group of Hector, Andromache, and their child.

  5. step 05

    Add details to the clothing, armor, and facial features, using highlights and shadows to create form.

  6. step 06

    Refine the background elements, including the city walls and distant figures.

  7. step 07

    Add final details such as the flag, spears, and other accessories.

  8. step 08

    Glaze the painting to unify the colors and create a sense of atmosphere.

color palette

primary · ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · yellow ochre · ivory black

Mix various shades of skin tones using white, ochre, and a touch of red. Achieve the blue drapery by mixing ultramarine with white and a touch of black for shadows. Create the stone colors with burnt umber, ochre, and white.

techniques

  • ·figure drawing
  • ·drapery painting
  • ·atmospheric perspective
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of figures
  • →Overly stiff or unnatural poses
  • →Lack of depth in the background
  • →Muddy or unclear color mixtures

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints
  • ·turpentine
  • ·linseed oil
  • ·round brushes sizes 2, 4, 6
  • ·flat brushes sizes 4, 8
  • ·palette

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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