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home·artworks·Head of a Woman from Behind
Head of a Woman from Behind by Francois Boucher

plate no. 9126

Head of a Woman from Behind

Francois Boucher, 1740

chalk, paperRococoportraitfigurehairportraitribbonneck
some experience helpful

This drawing is excellent for learning to render form with a limited palette and for practicing cross-hatching techniques to create subtle tonal variations. It also provides practice in capturing the delicate details of hair and fabric.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall shape and proportions of the head and shoulders.

  2. step 02

    Establish the main lines of the hair and ribbon, paying attention to their flow and direction.

  3. step 03

    Begin shading the hair with light gray chalk, focusing on the areas in shadow.

  4. step 04

    Add darker values to the hair using a darker gray or black chalk, building up the depth of the shadows.

  5. step 05

    Use red chalk to add warmth to the skin tones, particularly around the ear and neck.

  6. step 06

    Blend the chalk with a blending stump or your finger to create smooth transitions between values.

  7. step 07

    Add highlights to the hair and ribbon with white chalk, emphasizing the areas where light is hitting.

  8. step 08

    Refine the details of the hair and ribbon, adding individual strands and folds.

color palette

primary · black chalk · white chalk · red chalk

secondary · gray chalk · brown paper

Mix black and white chalk to create various shades of gray. Use light touches of red chalk to warm up the skin tones.

techniques

  • ·cross-hatching
  • ·blending
  • ·tonal shading
  • ·highlighting

common pitfalls

  • →Overworking the drawing and losing the delicate quality of the chalk.
  • →Creating harsh lines instead of smooth transitions between values.
  • →Failing to capture the correct proportions of the head and shoulders.
  • →Not paying attention to the direction of the light and shadow.

materials

surface · toned paper

required

  • ·Black chalk
  • ·White chalk
  • ·Red chalk
  • ·Gray chalk
  • ·Tan or brown paper
  • ·Blending stump
  • ·Kneaded eraser

optional

  • ·Fixative spray
  • ·Chamois cloth

Choose a paper with a slightly textured surface to allow the chalk to adhere well. Use a light touch when applying the chalk to avoid damaging the paper.

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how to draw →how to learn by studying the masters →
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