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Head of a Philosopher by Giovanni Battista Tiepolo

plate no. 3440

Head of a Philosopher

Giovanni Battista Tiepolo, 1757

oil, canvasRococoportraitportraitmanbeardheadwearphilosopherclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering realistic skin tones and capturing the texture of hair and fabric. It also offers practice in creating depth through subtle value changes and implied form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and headwear.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or similar earth tone.

  3. step 03

    Block in the main areas of color, focusing on the skin tones, beard, and clothing.

  4. step 04

    Develop the skin tones by layering and blending different shades of ochre, sienna, and white.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, paying attention to the subtle variations in value and color.

  6. step 06

    Refine the beard and headwear, using short, broken brushstrokes to create texture.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of drama.

color palette

primary · burnt umber · yellow ochre · titanium white · raw sienna

secondary · ivory black · cadmium red light

Mix skin tones by blending yellow ochre, burnt sienna, and titanium white. Use small amounts of cadmium red for warmth. Darken shadows with burnt umber and ivory black.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brush
  • ·portraiture

common pitfalls

  • →Over-blending the skin tones, resulting in a flat, lifeless appearance.
  • →Failing to establish a strong value structure early on.
  • →Getting the proportions of the face wrong.
  • →Ignoring the subtle variations in color and value within the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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oil painting for beginners →how to learn by studying the masters →
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