apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Head of a Man (Self-Portrait)
Head of a Man (Self-Portrait) by Otto Dix

plate no. 4706

Head of a Man (Self-Portrait)

Otto Dix, 1919

oilCubismself-portraitportraitmancubismabstractbuildingscityscape
experienced study

Recreating this painting will help students understand how to break down complex forms into geometric shapes and use color to create depth and mood. It also encourages experimentation with bold brushstrokes and non-traditional color combinations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes and forms of the head and background.

  2. step 02

    Establish the darkest areas of the painting using a dark neutral color like burnt umber or black.

  3. step 03

    Block in the main color areas, focusing on the large shapes and planes.

  4. step 04

    Start adding layers of color, building up the intensity and variation within each shape.

  5. step 05

    Use visible brushstrokes to define the edges of the shapes and create texture.

  6. step 06

    Pay attention to the light and shadow, using highlights and darks to create depth.

  7. step 07

    Refine the details, such as the eyes and mouth, while maintaining the overall abstract style.

  8. step 08

    Add final touches and highlights to enhance the contrast and visual impact.

color palette

primary · red · yellow · blue · black

secondary · green · brown · white

Achieve the various shades of red and brown by mixing red with black and yellow. Create greens by mixing blue and yellow. Use white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·impasto
  • ·geometric abstraction
  • ·color blocking
  • ·expressive brushwork

common pitfalls

  • →Over-blending colors, resulting in a muddy appearance.
  • →Losing the geometric structure of the composition.
  • →Ignoring the importance of value contrast.
  • →Getting bogged down in details too early.
  • →Not using enough paint, resulting in a thin, weak painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)

optional

  • ·painting medium
  • ·varnish
  • ·easel
  • ·rags

Use a medium-sized canvas (e.g., 16x20 inches) to allow for sufficient detail. Acrylic paints are easier to clean up, while oil paints offer richer colors and blending capabilities.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Komposition

Komposition

Leo Leuppi

Landscape near Martigues

Landscape near Martigues

Andre Derain

Windmill

Windmill

Amadeo de Souza-Cardoso

Untitled (Husain's Family)

Untitled (Husain's Family)

M.F. Husain

At the bar

At the bar

Carlos Saenz de Tejada

Figures by a Rock Pool

Figures by a Rock Pool

Dorrit Black

Postava

Postava

Josef Capek

Gelmeroda III

Gelmeroda III

Lyonel Feininger