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home·artworks·Head of a Male Saint
Head of a Male Saint by Hans Holbein the Younger

plate no. 6043

Head of a Male Saint

Hans Holbein the Younger, 1516

oil, wood, temperaNorthern Renaissancereligious paintingfigureportraitreligioushalomalesaint
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering subtle skin tones and creating a sense of depth through layering. Students will also learn to depict curly hair and the use of a limited color palette to create harmony.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure, halo, and basic shapes.

  2. step 02

    Block in the background with a thin layer of blue.

  3. step 03

    Establish the base skin tone with a mix of white, ochre, and a touch of red.

  4. step 04

    Begin layering the skin tones, adding subtle shadows and highlights to define the facial features.

  5. step 05

    Paint the hair using a mix of browns and blacks, paying attention to the direction of the curls.

  6. step 06

    Paint the halo with a mix of yellow ochre and gold, adding subtle variations in tone.

  7. step 07

    Add the clothing details, including the gold tunic and red drapery.

  8. step 08

    Refine the details and add final highlights.

color palette

primary · titanium white · yellow ochre · burnt umber

secondary · cadmium red · ultramarine blue · ivory black

Skin tones are achieved by mixing white, ochre, and small amounts of red and umber. Vary the proportions to create subtle shifts in color. The halo is created with yellow ochre and a touch of gold or a lighter yellow.

techniques

  • ·glazing
  • ·scumbling
  • ·layering
  • ·portraiture
  • ·blending

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Applying paint too thickly, obscuring the underlayers.
  • →Failing to capture the subtle variations in skin tone.
  • →Getting the proportions of the face wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·ivory black oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface is recommended for easier blending.

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