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home·artworks·Haymaking (June and July)
Haymaking (June and July) by Pieter Bruegel the Elder

plate no. 1973

Haymaking (June and July)

Pieter Bruegel the Elder, 1565

oil, panelNorthern Renaissancegenre paintinglandscapefiguresfieldstreesmountainsvillage
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, figure drawing in a landscape, and creating a sense of depth through layering and color variation.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: the large rock formation, the horizon line, the fields, and the placement of the figures.

  2. step 02

    Establish the basic color blocks for the sky, distant mountains, and foreground fields using thin washes.

  3. step 03

    Begin layering in the darker tones of the trees and shadows, gradually building up the values.

  4. step 04

    Add details to the buildings and rock formations, paying attention to the light and shadow.

  5. step 05

    Start painting the figures, focusing on their gestures and proportions.

  6. step 06

    Refine the colors and values in the foreground, adding details to the plants and foliage.

  7. step 07

    Glaze over the painting to unify the colors and create a sense of atmosphere.

  8. step 08

    Add final highlights and details to the figures and foreground elements.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · sap green · raw sienna

Mix greens by combining yellow ochre and ultramarine blue. Achieve atmospheric perspective by adding white to the blues and greens for distant elements.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·layering

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Ignoring atmospheric perspective
  • →Inaccurate figure proportions

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color harmony.

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