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home·artworks·Haunted City
Haunted City by Michael Sowa

plate no. 7312

Haunted City

Michael Sowa

oilSurrealismcityscapebuildingsstreetsnailcarnightlight
some experience helpful

Recreating this painting will help students develop skills in rendering subtle gradations of light and shadow, and in creating a sense of depth and atmosphere. It also provides practice in depicting textures, such as the rough surface of the buildings and the intricate details of the snail's shell.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and perspective of the buildings and street.

  2. step 02

    Block in the main areas of light and shadow using thin washes of color.

  3. step 03

    Gradually build up the values, adding layers of paint to create depth and dimension.

  4. step 04

    Pay close attention to the way the light falls on the buildings and the snail, creating highlights and shadows.

  5. step 05

    Add details to the buildings, such as windows, doors, and architectural features.

  6. step 06

    Carefully render the snail, paying attention to the texture and form of its shell.

  7. step 07

    Add the car and other details in the background.

  8. step 08

    Refine the painting with final touches, adjusting the values and adding highlights to create a sense of realism.

color palette

primary · raw umber · yellow ochre · ultramarine blue

secondary · titanium white · sap green · burnt sienna

Achieve the muted tones by mixing the primary colors with white and small amounts of secondary colors. Use glazes of thinned paint to create subtle color variations and depth.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·rendering textures

common pitfalls

  • →overworking the painting
  • →not establishing a clear value structure
  • →ignoring the subtle color variations
  • →making the snail too bright or saturated
  • →getting the perspective wrong

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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