apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Harvesting at Windsor
Harvesting at Windsor by Benjamin West

plate no. 3835

Harvesting at Windsor

Benjamin West, 1795

oil, canvasRococogenre paintingfiguresfieldtreesskybuildingharvest
experienced study

Recreating this painting will help students develop skills in rendering figures in a landscape setting and understanding atmospheric perspective to create depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes and figures.

  2. step 02

    Establish the background landscape and sky, focusing on atmospheric perspective.

  3. step 03

    Block in the main areas of color for the field and trees.

  4. step 04

    Start defining the figures, paying attention to proportions and gestures.

  5. step 05

    Add details to the figures, including clothing folds and facial features.

  6. step 06

    Refine the highlights and shadows to create depth and dimension.

  7. step 07

    Add details to the foreground elements like the wheat bundles and picnic basket.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · yellow ochre · burnt umber · titanium white · ultramarine blue

secondary · cadmium red · sap green · ivory black

Mix various shades of yellow ochre and burnt umber with white to create the field. Use ultramarine blue and white for the sky, adding touches of yellow ochre for warmth. Mix greens with blue, yellow, and umber for the foliage.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·chiaroscuro

common pitfalls

  • →getting figure proportions wrong
  • →overworking details too early
  • →not establishing a clear light source
  • →making the colors too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, burnt umber, titanium white, ultramarine blue, cadmium red, sap green, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West