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home·artworks·Harmony
Harmony by Frank Dicksee

plate no. 2298

Harmony

Frank Dicksee, 1877

oilRomanticismgenre paintingfiguresinteriororganstained glassplantmusic
some experience helpful

Recreating this painting will help students develop skills in rendering light and shadow on figures and objects, as well as creating a sense of depth and atmosphere through color and brushwork. It also provides practice in painting complex textures like fabric and stained glass.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, organ, and window.

  2. step 02

    Establish the main light source and block in the large areas of color, paying attention to the overall value structure.

  3. step 03

    Begin refining the shapes of the figures and the organ, adding details and adjusting the values.

  4. step 04

    Paint the stained glass window, capturing the intricate patterns and the way the light filters through.

  5. step 05

    Add details to the clothing, hair, and faces of the figures, using small brushstrokes to create texture and form.

  6. step 06

    Refine the details of the organ and the surrounding environment, adding highlights and shadows to create depth.

  7. step 07

    Add the plant and other minor details.

  8. step 08

    Make final adjustments to the colors, values, and details to create a cohesive and harmonious painting.

color palette

primary · yellow ochre · burnt umber · titanium white · cadmium red

secondary · viridian · ultramarine blue · raw sienna

Achieve the warm, golden tones by mixing yellow ochre with burnt umber and titanium white. Use cadmium red to create the reds in the stained glass and the curtain. Mix viridian and ultramarine blue for the greens in the plant.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering fabric
  • ·rendering glass

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Failing to capture the subtle variations in color and value.
  • →Overworking the details and losing the overall sense of harmony.
  • →Not creating a convincing sense of light and shadow.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints: yellow ochre, burnt umber, titanium white, cadmium red, viridian, ultramarine blue, raw sienna
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

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