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home·artworks·Harlequins
Harlequins by Corneliu Michailescu

plate no. 1973

Harlequins

Corneliu Michailescu

tempera, watercolor, paper, cardboardCubismgenre paintingharlequinfiguresguitarstagemaskgeometric shapes
some experience helpful

Recreating this painting will help students understand cubist principles of fragmented forms and multiple perspectives, as well as practice color mixing to achieve the muted tones and create depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on the placement of the harlequin figure, guitar, and background elements.

  2. step 02

    Divide the composition into geometric planes, simplifying complex forms into basic shapes.

  3. step 03

    Begin applying base colors to each plane, starting with the largest areas and working towards smaller details.

  4. step 04

    Mix and apply the muted color palette, paying attention to the subtle variations in tone and hue.

  5. step 05

    Add details to the harlequin's face and costume, using thin lines and small brushstrokes.

  6. step 06

    Paint the guitar, focusing on the perspective and the details of the strings and frets.

  7. step 07

    Refine the background elements, adding depth and texture with subtle color variations.

  8. step 08

    Add final details and highlights to enhance the overall composition.

color palette

primary · ivory · yellow ochre · burnt sienna

secondary · cerulean blue · cadmium red light · sap green

Achieve the muted tones by mixing complementary colors and adding white or grey to dull the intensity. Use thin washes of color to build up layers and create depth.

techniques

  • ·geometric abstraction
  • ·color layering
  • ·dry brushing
  • ·linear perspective
  • ·muted color mixing

common pitfalls

  • →Overcomplicating the geometric shapes.
  • →Using colors that are too bright or saturated.
  • →Losing the overall composition by focusing too much on small details.
  • →Inaccurate perspective in the guitar or stage elements.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·tempera paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette
  • ·water container

optional

  • ·palette knife
  • ·masking tape
  • ·ruler

Using a heavier weight paper will prevent buckling when applying multiple layers of watercolor. Tempera can be used to add opacity and texture.

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