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home·artworks·Haneton Triptych (left wing)
Haneton Triptych (left wing) by Bernard Van Orley

plate no. 4621

Haneton Triptych (left wing)

Bernard Van Orley

oilNorthern Renaissancereligious paintingfiguresreligiousportraitsclothingjewelrybackground pattern
experienced study

Recreating this painting would develop skills in portraiture, particularly in rendering realistic skin tones and facial features. Students will also learn to create depth through subtle value changes and to depict textures like fabric and metal.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement and proportions of the figures.

  2. step 02

    Establish the background pattern with a light wash of ochre and then add the vertical lines with a darker brown.

  3. step 03

    Block in the main shapes of the figures with thin washes of color, focusing on the overall value structure.

  4. step 04

    Begin layering the skin tones, using a limited palette of white, red, yellow, and brown.

  5. step 05

    Refine the details of the faces, paying close attention to the eyes, nose, and mouth.

  6. step 06

    Paint the clothing, using darker values for the shadows and lighter values for the highlights.

  7. step 07

    Add the details of the jewelry and other accessories.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition and add depth.

color palette

primary · titanium white · ivory black · burnt umber · cadmium red

secondary · yellow ochre · gold

Mix skin tones using white, red, yellow, and a touch of brown. Create the dark clothing with black and umber. Use yellow ochre and a touch of brown for the gold background.

techniques

  • ·portraiture
  • ·glazing
  • ·value study
  • ·rendering fabric
  • ·creating textures

common pitfalls

  • →Getting the proportions of the faces wrong.
  • →Overworking the skin tones.
  • →Making the clothing too flat.
  • →Failing to create a sense of depth.
  • →Not paying attention to the details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 0-4)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A smooth canvas surface will make it easier to blend the skin tones.

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