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home·artworks·Haneton Triptych (detail)
Haneton Triptych (detail) by Bernard Van Orley

plate no. 0316

Haneton Triptych (detail)

Bernard Van Orley

oilNorthern Renaissancereligious paintingfiguresportraitsjewelryhandsclothingheadwear
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and subtle facial features, as well as painting intricate details like jewelry and clothing.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figures, focusing on accurate placement and size relationships.

  2. step 02

    Establish the background color with a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of color for the skin, hair, and clothing, using a limited palette.

  4. step 04

    Begin layering and blending the skin tones, paying close attention to highlights and shadows to create form.

  5. step 05

    Refine the details of the faces, including the eyes, nose, and mouth, using small brushes and subtle color variations.

  6. step 06

    Paint the clothing, focusing on the folds and drapery, and add highlights and shadows to create depth.

  7. step 07

    Carefully render the jewelry and other accessories, paying attention to the details and textures.

  8. step 08

    Add final touches and adjustments to the overall composition, ensuring that the colors and values are balanced.

color palette

primary · titanium white · ivory black · burnt umber · yellow ochre

secondary · cadmium red · gold

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Use varying amounts of each to create highlights and shadows. Mix black and umber for the dark clothing.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·rendering
  • ·detail work

common pitfalls

  • →Getting the proportions of the faces wrong.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle expressions of the figures.
  • →Rushing the details of the jewelry and clothing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 4, 6)

optional

  • ·palette knife
  • ·linseed oil
  • ·damar varnish

Use high-quality oil paints for best results. Consider using a medium like linseed oil to thin the paint and improve blending.

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