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home·artworks·Haneton Triptych (central part)
Haneton Triptych (central part) by Bernard Van Orley

plate no. 2207

Haneton Triptych (central part)

Bernard Van Orley

canvasNorthern Renaissancereligious paintingfiguresreligious scenemourningclothskin tonesportrait
experienced study

Recreating this painting will help students develop skills in rendering realistic skin tones and drapery, as well as understanding complex figure arrangements and conveying emotion through facial expressions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Focus on accurately capturing the proportions and anatomical details of the figures.

  4. step 04

    Develop the skin tones by layering subtle variations of warm and cool colors.

  5. step 05

    Pay close attention to the folds and shadows in the drapery to create a sense of volume.

  6. step 06

    Refine the details of the faces, focusing on the eyes and mouths to convey emotion.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · raw umber · titanium white · cadmium red light · ultramarine blue

secondary · yellow ochre · burnt sienna · ivory black

Achieve realistic skin tones by mixing raw umber, cadmium red light, and titanium white. Use ultramarine blue and raw umber to create the dark blues of the clothing. Mix yellow ochre and burnt sienna for the background.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·drapery rendering

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to accurately capture the proportions of the figures.
  • →Ignoring the subtle variations in skin tones.
  • →Creating overly harsh or artificial-looking shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A smooth canvas surface will be easier to blend on.

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