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Hafenstadt by Gustave Buchet

plate no. 7153

Hafenstadt

Gustave Buchet, 1955

oilCubismcityscapebuildingsboatswatercityscapeharborsky
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and using a limited palette to create a cohesive color scheme. It also encourages experimentation with visible brushstrokes to add texture and visual interest.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, boats, and water, focusing on their relative sizes and positions.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Block in the main color areas with thin washes, starting with the sky and water.

  4. step 04

    Gradually build up the colors in the buildings and boats, using thicker paint and visible brushstrokes.

  5. step 05

    Mix and apply the colors for the highlights and shadows, paying attention to the light source.

  6. step 06

    Add details such as windows, doors, and boat features, using a smaller brush.

  7. step 07

    Refine the edges and shapes of the objects, adjusting the colors and values as needed.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · titanium white · burnt sienna · ultramarine blue

secondary · yellow ochre · raw umber

Mix white with small amounts of burnt sienna and yellow ochre to create the various shades of the buildings. Use ultramarine blue and burnt sienna to create dark browns and blacks for the boats and shadows. Add white to the blue for the sky and water.

techniques

  • ·blocking in
  • ·dry brush texture
  • ·color mixing
  • ·simplification of form
  • ·impasto

common pitfalls

  • →Overworking the details and losing the simplified forms.
  • →Using too many colors and creating a muddy effect.
  • →Not establishing a clear light source.
  • →Making the composition too symmetrical or static.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-sized canvas to allow for sufficient detail. Consider using a toned canvas to create a more unified color scheme.

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oil painting for beginners →how to learn by studying the masters →
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