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home·artworks·Guglielmo Embriaco returns in Genoa from the crusades
Guglielmo Embriaco returns in Genoa from the crusades by Giovanni Battista Torriglia

plate no. 4654

Guglielmo Embriaco returns in Genoa from the crusades

Giovanni Battista Torriglia, 1908

oilRomanticismhistory paintingfiguresbuildinghorsecrowdflaghistorical
advanced study

Recreating this painting will help students develop skills in figure drawing, perspective, and creating depth in a complex composition. It also provides practice in rendering realistic textures and fabrics.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the overall composition and placement of major elements.

  2. step 02

    Block in the main shapes and values using a limited palette of earth tones.

  3. step 03

    Start refining the details of the building, focusing on accurate perspective.

  4. step 04

    Begin adding details to the figures, starting with the central characters and working outwards.

  5. step 05

    Develop the color palette, mixing subtle variations for skin tones and fabrics.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the details of the horses and other animals.

  8. step 08

    Add final details, such as flowers and foliage, to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · ultramarine blue · cadmium red · yellow ochre

Mix various shades of gray and brown by combining burnt umber, raw sienna, and ivory black. Use ultramarine blue and cadmium red to create muted purples and blues for clothing.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions in figures
  • →Lack of depth in the composition
  • →Overly saturated colors
  • →Inaccurate perspective in the buildings

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial blocking-in stage.

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related guides

oil painting for beginners →how to learn by studying the masters →
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