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home·artworks·Grandfather and grandchildren
Grandfather and grandchildren by Ludwig Knaus

plate no. 2915

Grandfather and grandchildren

Ludwig Knaus

oilAcademicismgenre paintingfiguresinteriorchildrengrandfathertableclock
some experience helpful

This painting is a good exercise in capturing figures in a dimly lit interior. Students can practice rendering skin tones and clothing with a limited palette and loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 7 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and key objects.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or similar earth tone.

  3. step 03

    Block in the main color areas, starting with the darkest values and working towards the lighter ones.

  4. step 04

    Develop the skin tones, paying attention to subtle shifts in color and value.

  5. step 05

    Add details to the clothing and objects, using thicker paint and more visible brushstrokes.

  6. step 06

    Refine the lighting and shadows, creating a sense of depth and atmosphere.

  7. step 07

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red light · ultramarine blue · yellow ochre

Mix various shades of brown and grey by combining burnt umber, raw sienna, ivory black, and titanium white. Use small amounts of cadmium red and ultramarine blue to create subtle variations in skin tones and clothing.

techniques

  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·limited palette
  • ·chiaroscuro

common pitfalls

  • →Overworking the painting and losing the loose, painterly quality.
  • →Getting the proportions of the figures wrong.
  • →Failing to create a convincing sense of depth and atmosphere.
  • →Using too much detail and losing the overall impression.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (burnt umber, raw sienna, titanium white, ivory black, cadmium red light, ultramarine blue, yellow ochre)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat, sizes 2-8)
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grit canvas for best results. Consider toning the canvas with a thin wash of burnt umber before starting.

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oil painting for beginners →how to learn by studying the masters →
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