
plate no. 5172
Eugene de Blaas, 1877
Recreating this painting will help students develop skills in portraiture, rendering fabric, and creating realistic textures like brick and feathers. It also provides practice in capturing subtle light and shadow to create depth and form.
technical profile
approach — 8 steps
Sketch the basic composition, paying attention to the placement of the figure, window, and pigeons.
Establish the background with a dark, muted tone.
Block in the main shapes of the figure, focusing on proportions and gesture.
Begin layering in the local colors for the clothing, skin, and pigeons.
Develop the brick texture of the window frame, using varied colors and brushstrokes.
Refine the details of the face, hands, and feathers, paying attention to light and shadow.
Add highlights to create a sense of form and dimension.
Glaze with thin layers of color to unify the painting and enhance the overall tone.
color palette
primary · burnt umber · titanium white · ivory black
secondary · yellow ochre · raw sienna · ultramarine blue
Mix burnt umber and ivory black with varying amounts of titanium white to create the range of browns and grays. Use yellow ochre and raw sienna to add warmth to the brick and skin tones. A touch of ultramarine blue can be used to cool down the grays and blacks.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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