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home·artworks·Gods Creatures
Gods Creatures by Eugene de Blaas

plate no. 5172

Gods Creatures

Eugene de Blaas, 1877

oil, canvasAcademicismgenre paintingfigurepigeonswindowarchitecturenunbrick
some experience helpful

Recreating this painting will help students develop skills in portraiture, rendering fabric, and creating realistic textures like brick and feathers. It also provides practice in capturing subtle light and shadow to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figure, window, and pigeons.

  2. step 02

    Establish the background with a dark, muted tone.

  3. step 03

    Block in the main shapes of the figure, focusing on proportions and gesture.

  4. step 04

    Begin layering in the local colors for the clothing, skin, and pigeons.

  5. step 05

    Develop the brick texture of the window frame, using varied colors and brushstrokes.

  6. step 06

    Refine the details of the face, hands, and feathers, paying attention to light and shadow.

  7. step 07

    Add highlights to create a sense of form and dimension.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall tone.

color palette

primary · burnt umber · titanium white · ivory black

secondary · yellow ochre · raw sienna · ultramarine blue

Mix burnt umber and ivory black with varying amounts of titanium white to create the range of browns and grays. Use yellow ochre and raw sienna to add warmth to the brick and skin tones. A touch of ultramarine blue can be used to cool down the grays and blacks.

techniques

  • ·Underpainting
  • ·Layering
  • ·Blending
  • ·Dry brushing
  • ·Glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle shifts in color temperature.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints (burnt umber, titanium white, ivory black, yellow ochre, raw sienna, ultramarine blue)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium (e.g., Liquin)
  • ·Varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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