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home·artworks·Girl with Pigeons
Girl with Pigeons by Wilhelm Kotarbinski

plate no. 1601

Girl with Pigeons

Wilhelm Kotarbinski

oilAcademicismgenre paintingfigurepigeonscolumnrosesarchitecturefoliage
some experience helpful

This painting offers practice in rendering soft light and shadow on draped fabric and capturing the delicate forms of birds in flight. Students can also develop skills in creating depth through atmospheric perspective and rendering realistic textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, column, and main elements.

  2. step 02

    Establish the background with broad, blended strokes, creating a sense of depth.

  3. step 03

    Block in the main shapes of the figure, paying attention to proportions and the flow of the drapery.

  4. step 04

    Begin adding details to the face and hands, focusing on accurate values and subtle transitions.

  5. step 05

    Paint the pigeons, capturing their dynamic poses and soft feather textures.

  6. step 06

    Develop the foliage and roses, using a variety of greens and pinks to create visual interest.

  7. step 07

    Refine the details of the column and architectural elements, adding highlights and shadows.

  8. step 08

    Add final touches and glazes to enhance the overall harmony and depth of the painting.

color palette

primary · titanium white · raw umber · burnt sienna · cadmium red

secondary · ultramarine blue · yellow ochre · sap green

Achieve the skin tones by mixing white, raw umber, and a touch of cadmium red. Use ultramarine blue and burnt sienna to create muted grays and browns for the shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·rendering drapery

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Ignoring the subtle shifts in color temperature.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended for beginners.

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oil painting for beginners →how to learn by studying the masters →
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