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home·artworks·Girl with doll and dog
Girl with doll and dog by Émile Munier

plate no. 6264

Girl with doll and dog

Émile Munier, 1882

oil, canvasAcademicismportraitfigurechilddolldogportraitlace
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practicing smooth blending techniques to create soft transitions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figures.

  2. step 02

    Establish the background with a warm, muted color, creating a soft, blended effect.

  3. step 03

    Block in the main shapes of the girl, doll, and dog, using simplified color masses.

  4. step 04

    Begin refining the skin tones, using layers of thin paint and careful blending.

  5. step 05

    Add details to the clothing, paying attention to the folds and textures of the fabric.

  6. step 06

    Paint the doll's features and clothing, capturing its delicate appearance.

  7. step 07

    Render the dog's fur and facial features, using a combination of smooth and textured brushstrokes.

  8. step 08

    Add final highlights and shadows to create depth and dimension, and refine the details of the lace.

color palette

primary · titanium white · burnt umber · alizarin crimson · yellow ochre

secondary · cerulean blue · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of alizarin crimson; use burnt umber and ivory black for the dog's fur and shadows.

techniques

  • ·smooth blending
  • ·glazing
  • ·layering
  • ·portraiture
  • ·rendering fabric

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to capture the likeness of the girl.
  • →Neglecting the details of the lace, which adds to the painting's overall realism.
  • →Creating harsh transitions between light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·cerulean blue oil paint
  • ·ivory black oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results; consider using a medium to thin the paint and improve blending.

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