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home·artworks·Girl with a Marmot
Girl with a Marmot by Jean-Honore Fragonard

plate no. 6550

Girl with a Marmot

Jean-Honore Fragonard, 1790

oilRococoportraitfigureportraitclothingboxheadscarfrococo
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric and creating a sense of depth through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of the head, shoulders, and box.

  2. step 02

    Block in the main areas of color, using thin washes of paint.

  3. step 03

    Begin to refine the skin tones, using a limited palette of colors and blending carefully.

  4. step 04

    Add details to the face, such as the eyes, nose, and mouth.

  5. step 05

    Work on the clothing, paying attention to the folds and shadows.

  6. step 06

    Paint the box, adding details such as the hinges and clasps.

  7. step 07

    Refine the background, creating a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · raw umber · titanium white · cadmium yellow

secondary · burnt sienna · alizarin crimson · ivory black

Achieve skin tones by mixing white, yellow, and a touch of red. Use umber and black to create shadows and depth.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·scumbling

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to capture the likeness of the figure.
  • →Ignoring the subtle value changes that create depth.
  • →Getting lost in details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium yellow oil paint
  • ·burnt sienna oil paint
  • ·alizarin crimson oil paint
  • ·ivory black oil paint
  • ·assorted round brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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