apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Girl with a Mandolin
Girl with a Mandolin by Giovanni Battista Tiepolo

plate no. 1133

Girl with a Mandolin

Giovanni Battista Tiepolo, 1760

oil, canvasRococoportraitfigureportraitinstrumentclothinghairbackground
experienced study

Recreating this painting will develop skills in portraiture, including accurate skin tone mixing and rendering of light and shadow on the human form. Students will also learn to depict fabric folds and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions of the figure and instrument.

  2. step 02

    Establish the background with a dark, muted tone.

  3. step 03

    Block in the main areas of color for the skin, clothing, and instrument.

  4. step 04

    Begin layering and blending skin tones, paying attention to highlights and shadows.

  5. step 05

    Develop the details of the clothing, capturing the folds and textures.

  6. step 06

    Refine the instrument, focusing on its shape and details.

  7. step 07

    Add final highlights and details to the face, hair, and clothing.

  8. step 08

    Glaze to unify the painting and enhance the colors.

color palette

primary · titanium white · raw umber · cadmium red light · yellow ochre

secondary · ultramarine blue · burnt sienna · ivory black

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber. Use ultramarine sparingly to cool down skin tones. Browns and yellows are mixed to create the instrument's color, with darker values for shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Overblending skin tones, resulting in a flat appearance.
  • →Inaccurate proportions of the figure or instrument.
  • →Failing to capture the subtle variations in color and value.
  • →Getting the likeness of the face wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paint and increase its transparency.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West