
plate no. 2062
William Merritt Chase, 1890
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practicing loose, expressive brushwork to create texture and detail.
technical profile
approach — 8 steps
Sketch the basic proportions of the figure and kimono, paying attention to the pose and angle of the head.
Establish the background color with a thin wash of burnt umber and yellow ochre.
Block in the main areas of the face, neck, and hands with light pink and cream tones, focusing on the shadows and highlights.
Begin to define the features of the face, using subtle color variations to create depth and form.
Paint the kimono with a base of light blue-gray, then add the patterns using white, yellow, orange, and green.
Develop the details of the hair, using dark brown and black to create texture and volume.
Refine the edges and details of the painting, paying attention to the overall harmony of color and tone.
Add final highlights and shadows to enhance the sense of depth and realism.
color palette
primary · titanium white · yellow ochre · burnt umber · cadmium red
secondary · ultramarine blue · viridian green · cadmium yellow light
Mix skin tones using white, yellow ochre, and a touch of red. Create the kimono's blue-gray by mixing ultramarine blue with white and a touch of burnt umber. Achieve the background color by blending burnt umber and yellow ochre.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.
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