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home·artworks·Girl from back, Luisita
Girl from back, Luisita by Carlos Saenz de Tejada

plate no. 7789

Girl from back, Luisita

Carlos Saenz de Tejada, 1917

oilImpressionismportraitfigureportraitbackhairbowskin
some experience helpful

Recreating this painting will help students develop skills in subtle color mixing for skin tones and understanding light and shadow to create form. It also provides practice in capturing the delicate curves and contours of the human figure.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic oval shape and the figure's pose, paying attention to proportions.

  2. step 02

    Establish the background with a thin wash of brown and green tones.

  3. step 03

    Block in the main areas of skin tone with a mid-tone mixture.

  4. step 04

    Begin layering lighter and darker values to define the form of the back, shoulders, and neck.

  5. step 05

    Carefully blend the transitions between light and shadow to create a soft, luminous effect.

  6. step 06

    Add the details of the hair and the bow, using darker values to create contrast.

  7. step 07

    Refine the edges and contours of the figure to create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the overall realism.

color palette

primary · titanium white · burnt umber · yellow ochre

secondary · ivory black · cadmium red light · sap green

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and black for shadows and hair. Add green to the background to create depth.

techniques

  • ·glazing
  • ·blending
  • ·scumbling
  • ·chiaroscuro
  • ·color layering

common pitfalls

  • →Overmixing colors, resulting in a muddy appearance.
  • →Failing to accurately capture the proportions of the figure.
  • →Creating harsh transitions between light and shadow.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a smooth canvas for best results. Consider using a glazing medium to enhance the luminosity of the colors.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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