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home·artworks·Girl Combing Hair
Girl Combing Hair by Charles Blackman

plate no. 2420

Girl Combing Hair

Charles Blackman

oilMagic Realismgenre paintingfigureinteriordoorwaylightshadowfurniture
some experience helpful

Recreating this painting will help students understand how to depict light and shadow in an interior space and how to create a mood through limited color palettes and expressive brushwork. It also provides practice in simplifying complex forms and focusing on essential details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, doorway, and furniture.

  2. step 02

    Establish the dark background tones using a mix of dark blues, browns, and blacks.

  3. step 03

    Block in the light areas around the doorway and on the figure's hair with lighter values.

  4. step 04

    Begin to refine the shapes of the figure and furniture, paying attention to the direction of light.

  5. step 05

    Add details to the figure's clothing and the furniture, using subtle variations in color and value.

  6. step 06

    Create the effect of light streaming through the doorway by layering lighter tones over the base colors.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and dimension.

  8. step 08

    Review and adjust the overall composition, ensuring that the focal point is clear and the mood is consistent.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · payne's gray

Achieve the dark, muted tones by mixing ultramarine blue and burnt umber. Use titanium white to create lighter values and yellow ochre to add warmth to the highlights.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·value studies
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the overall mood.
  • →Failing to establish a strong value contrast.
  • →Using too many colors and creating a muddy effect.
  • →Ignoring the direction of light and creating flat, unconvincing forms.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas to allow for both smooth blending and textured brushwork.

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