
plate no. 7451
Jan van Eyck, 1434
Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle color blending for skin tones. It also offers practice in rendering realistic textures, such as fabric and fur.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure and background.
Establish the main areas of color: skin, clothing, and background.
Begin layering the skin tones, paying close attention to subtle variations in color and value.
Work on the clothing, building up the colors and adding details like folds and textures.
Render the background drapery, focusing on the play of light and shadow.
Add details such as the jewelry, lace, and fur trim.
Refine the overall composition, adjusting values and colors as needed.
Apply a final glaze to unify the painting and enhance the colors.
color palette
primary · ivory black · yellow ochre · vermilion · viridian
secondary · ultramarine blue · raw umber · titanium white
Achieve skin tones by mixing yellow ochre, vermilion, and white, with small amounts of raw umber for shadows. Mix viridian and ivory black for the green dress. Use ultramarine blue and ivory black for the sleeves.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Aristotle
Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist
Martin Schongauer

The pride of the beggar sitting on the train of haughtiness
Albrecht Altdorfer

Adoration of the Magi
Quentin Matsys

Christ on the Cross
Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete
Pieter Brueghel the Younger

Group of Men
Rogier van der Weyden

Madonna and Child Holding a Pear
Bernard Van Orley