apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Giovanni Arnolfini and His Wife Giovanna Cenami (The Arnolfini Marriage) (detail)
Giovanni Arnolfini and His Wife Giovanna Cenami (The Arnolfini Marriage) (detail) by Jan van Eyck

plate no. 7451

Giovanni Arnolfini and His Wife Giovanna Cenami (The Arnolfini Marriage) (detail)

Jan van Eyck, 1434

oil, woodNorthern Renaissanceportraitportraitfigureclothingdraperyinterior
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle color blending for skin tones. It also offers practice in rendering realistic textures, such as fabric and fur.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the main areas of color: skin, clothing, and background.

  3. step 03

    Begin layering the skin tones, paying close attention to subtle variations in color and value.

  4. step 04

    Work on the clothing, building up the colors and adding details like folds and textures.

  5. step 05

    Render the background drapery, focusing on the play of light and shadow.

  6. step 06

    Add details such as the jewelry, lace, and fur trim.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Apply a final glaze to unify the painting and enhance the colors.

color palette

primary · ivory black · yellow ochre · vermilion · viridian

secondary · ultramarine blue · raw umber · titanium white

Achieve skin tones by mixing yellow ochre, vermilion, and white, with small amounts of raw umber for shadows. Mix viridian and ivory black for the green dress. Use ultramarine blue and ivory black for the sleeves.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·layering
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Using colors that are too saturated.
  • →Failing to create a sense of depth and volume.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (small round, small flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley