apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Ghost Diagram
Ghost Diagram by Takato Yamamoto

plate no. 5387

Ghost Diagram

Takato Yamamoto, 2006

oilUkiyo-eillustrationfigureghosthairfoliagerobeportrait
some experience helpful

Recreating this painting will help students develop skills in creating subtle value gradations and rendering fine details, particularly in the hair and facial features. It also provides practice in achieving a delicate and ethereal atmosphere.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure, hair, and background elements.

  2. step 02

    Apply a thin, diluted wash of neutral gray or beige to the entire canvas to create a base tone.

  3. step 03

    Build up the background using layers of diluted gray and beige washes, creating a mottled effect.

  4. step 04

    Begin adding darker values to the hair, working from the roots outwards and following the flow of the strands.

  5. step 05

    Paint the figure's robe with a light beige or off-white, adding subtle shadows to define the folds.

  6. step 06

    Carefully render the facial features, paying attention to the delicate lines and subtle shading.

  7. step 07

    Add details such as the foliage at the bottom of the painting using fine brushstrokes.

  8. step 08

    Refine the values and details throughout the painting, ensuring a cohesive and ethereal look.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre · burnt sienna

Achieve the subtle grays and beiges by mixing ivory black, raw umber, and titanium white in varying proportions. Add small amounts of yellow ochre or burnt sienna for warmth.

techniques

  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·value studies
  • ·line work

common pitfalls

  • →Overworking the details and losing the ethereal quality.
  • →Creating harsh lines instead of soft gradations.
  • →Using too much color and overpowering the subtle palette.
  • →Ignoring the importance of the initial sketch and proportions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette

optional

  • ·palette knife
  • ·retouch varnish
  • ·soft cloth

Use high-quality oil paints for best results. Consider using a canvas with a smooth surface to facilitate fine detail work.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

14. Temple Gardens in Nippori

14. Temple Gardens in Nippori

Hiroshige

8. Suruga Chō

8. Suruga Chō

Hiroshige

Travels Looking at Mt. Fuji

Travels Looking at Mt. Fuji

Kitagawa Utamaro

The Letter

The Letter

Utagawa Kunisada

Jeu Princier. Mongol

Jeu Princier. Mongol

Paul Jacoulet

Looking as if she is enjoying herself - a teacher of the Keisei era

Looking as if she is enjoying herself - a teacher of the Keisei era

Tsukioka Yoshitoshi

Ariwara no Yukihira

Ariwara no Yukihira

Tsukioka Yoshitoshi

The Ghost

The Ghost

Utagawa Kunisada