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home·artworks·Gertrude, Duchess of Bedford
Gertrude, Duchess of Bedford by Joshua Reynolds

plate no. 8365

Gertrude, Duchess of Bedford

Joshua Reynolds, 1756

oil, canvasRococoportraitportraitfiguredresslacebookdrapery
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating subtle value shifts to model form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to proportions and placement of the figure.

  2. step 02

    Establish the background with broad, dark tones, focusing on the drapery.

  3. step 03

    Block in the main shapes of the dress and skin tones with base colors.

  4. step 04

    Begin refining the face, focusing on accurate proportions and subtle value changes.

  5. step 05

    Develop the details of the dress, including the folds, lace, and ribbons.

  6. step 06

    Add highlights and shadows to create depth and dimension in the fabric.

  7. step 07

    Paint the book, paying attention to the texture of the pages.

  8. step 08

    Refine the details and add final touches, such as highlights in the eyes and subtle details in the lace.

color palette

primary · ultramarine blue · titanium white · burnt umber

secondary · cadmium red · yellow ochre · ivory black

Mix various shades of blue by combining ultramarine blue with white and small amounts of burnt umber to create darker, muted tones. Use yellow ochre and cadmium red to create the warm tones in the skin and drapery.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·blending
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Oversimplifying the folds and details of the dress.
  • →Creating muddy or dull colors by overmixing.
  • →Failing to create a sense of depth and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (ultramarine blue, titanium white, burnt umber, cadmium red, yellow ochre, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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