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home·artworks·Germanicus Devant Les Restes Des Légions De Varus
Germanicus Devant Les Restes Des Légions De Varus by Lionel Noel Royer

plate no. 1134

Germanicus Devant Les Restes Des Légions De Varus

Lionel Noel Royer, 1896

oilAcademicismhistory paintingRoman soldiersbattle scenehorsesfigureslandscapeskeletons
advanced study

Recreating this painting will help students develop skills in rendering complex scenes with many figures, creating atmospheric perspective, and using a limited palette to achieve a sense of unity.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of major elements.

  2. step 02

    Block in the main areas of color, focusing on the large shapes of the landscape and figures.

  3. step 03

    Establish the light source and begin to develop the value structure of the painting.

  4. step 04

    Refine the details of the figures, paying attention to anatomy and clothing.

  5. step 05

    Add details to the landscape, including the trees, ground, and sky.

  6. step 06

    Develop the foreground elements, including the skeletons and debris.

  7. step 07

    Glaze to unify the colors and add depth.

  8. step 08

    Add final highlights and details to create a sense of realism.

color palette

primary · burnt umber · raw sienna · cadmium red · titanium white

secondary · ivory black · yellow ochre

Mix burnt umber and raw sienna for the earth tones. Use cadmium red to create the red cloaks and uniforms, and mix with burnt umber to create darker shades. Add white to create highlights and lighter tones.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·compositional layering

common pitfalls

  • →getting lost in the details too early
  • →failing to establish a strong value structure
  • →overworking the painting
  • →inaccurate figure proportions

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes sizes 2, 4, 6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a high-quality canvas and oil paints for best results. Consider using a medium to thin the paint and improve flow.

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