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home·artworks·George Washington (1732–1799), as Colonel Commander of the Virginian Colonial Troops
George Washington (1732–1799), as Colonel Commander of the Virginian Colonial Troops by Charles Willson Peale

plate no. 4486

George Washington (1732–1799), as Colonel Commander of the Virginian Colonial Troops

Charles Willson Peale, 1772

oilRococoportraitportraitfigurelandscapeclothingtreehistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of light and shadow on the face, as well as blending techniques for creating smooth transitions in skin tones and fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of color.

  3. step 03

    Begin building up the skin tones, focusing on subtle variations in color and value.

  4. step 04

    Paint the clothing, paying attention to the folds and textures of the fabric.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth.

  6. step 06

    Refine the background, creating a sense of depth and atmosphere.

  7. step 07

    Add final highlights and shadows to enhance the overall realism.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · burnt umber · cadmium red · ivory black · titanium white

secondary · yellow ochre · Prussian blue

Mix various shades of brown and gray by combining burnt umber, ivory black, and titanium white. Achieve skin tones by blending yellow ochre, cadmium red, and titanium white. Darken colors with burnt umber or ivory black, and lighten with titanium white.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overblending the skin tones, resulting in a flat appearance.
  • →Ignoring the subtle variations in color and value.
  • →Getting the likeness of the subject wrong.
  • →Not paying attention to the details of the clothing and background.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#6 flat brush
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A medium can be used to thin the paint and improve blending.

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