apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·George Nevill, 3rd Baron Bergavenny
George Nevill, 3rd Baron Bergavenny by Hans Holbein the Younger

plate no. 6039

George Nevill, 3rd Baron Bergavenny

Hans Holbein the Younger, 1533

chalk, ink, paperNorthern Renaissanceportraitportraitfiguremanclothinghatfur
some experience helpful

Recreating this portrait will help students develop skills in accurate proportion, shading techniques using chalk or charcoal, and capturing subtle facial expressions. It also provides practice in rendering textures like fur and fabric.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall shape of the head and shoulders, paying attention to proportions.

  2. step 02

    Establish the main planes of the face with light shading.

  3. step 03

    Define the features (eyes, nose, mouth) with more precise lines and shading.

  4. step 04

    Add details to the clothing and hat, focusing on the folds and textures.

  5. step 05

    Build up the darker values in the shadows to create depth.

  6. step 06

    Refine the highlights to create form and dimension.

  7. step 07

    Add subtle color washes to the skin tones.

  8. step 08

    Finalize the details and adjust values as needed.

color palette

primary · black chalk · red chalk · white chalk

secondary · brown ink

Mix red and white chalk to create skin tones. Use black chalk for shadows and outlines. Brown ink can be diluted for subtle washes.

techniques

  • ·hatching
  • ·cross-hatching
  • ·blending
  • ·value gradation
  • ·contour drawing

common pitfalls

  • →Incorrect proportions
  • →Overworking the details too early
  • →Uneven shading
  • →Lack of contrast

materials

surface · toned paper

required

  • ·White chalk
  • ·Black chalk
  • ·Red chalk
  • ·Sketch paper
  • ·Kneaded eraser
  • ·Blending stump

optional

  • ·Brown ink
  • ·Fine liner pen
  • ·Fixative spray

Use a slightly textured paper to help the chalk adhere. A toned paper will also help establish mid-tones.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to draw →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley