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home·artworks·George Macartney, 1st Earl Macartney; Sir George Leonard Staunton, 1st Bt
George Macartney, 1st Earl Macartney; Sir George Leonard Staunton, 1st Bt by Lemuel Francis Abbott

plate no. 0574

George Macartney, 1st Earl Macartney; Sir George Leonard Staunton, 1st Bt

Lemuel Francis Abbott, 1785

oilRococoportraitportraitfiguresclothingdocumentschairhistorical
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as understanding how to create depth and form using subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes and proportions of the figures and objects.

  2. step 02

    Establish the background with a dark, muted tone, gradually building up layers to create depth.

  3. step 03

    Block in the main colors of the clothing and skin tones, focusing on the overall value structure.

  4. step 04

    Refine the facial features, paying close attention to the subtle variations in color and value.

  5. step 05

    Add details to the clothing, such as the lace and buttons, using small brushes and precise strokes.

  6. step 06

    Paint the hands and documents, carefully observing the light and shadow patterns.

  7. step 07

    Adjust the overall composition, ensuring that the figures are balanced and harmonious.

  8. step 08

    Add final highlights and details to create a sense of realism and depth.

color palette

primary · ivory black · titanium white · cadmium red light · yellow ochre

secondary · ultramarine blue · burnt umber · raw sienna

Achieve skin tones by mixing titanium white, yellow ochre, and cadmium red light. Use ivory black and ultramarine blue to create the dark background and clothing. Mix burnt umber and raw sienna for the wooden chair.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·color mixing

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overly harsh or unnatural skin tones.
  • →Lack of depth in the background.
  • →Insufficient attention to detail in the clothing and accessories.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use high-quality oil paints for best results. Pre-toned canvas with a thin layer of burnt umber can help establish the dark background.

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oil painting for beginners →how to learn by studying the masters →
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