apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·George III (1738–1820) (copy after Joshua Reynolds)
George III (1738–1820) (copy after Joshua Reynolds) by John Jackson

plate no. 9494

George III (1738–1820) (copy after Joshua Reynolds)

John Jackson

oilRococoportraitportraitfigurethronerobecrownpillar
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It will also provide practice in depicting complex drapery and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, throne, and background elements.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of color.

  3. step 03

    Begin building up the skin tones, paying close attention to subtle variations in color and value.

  4. step 04

    Work on the drapery, focusing on the folds and highlights to create a sense of volume.

  5. step 05

    Add details to the throne, crown, and other accessories, using smaller brushes.

  6. step 06

    Refine the facial features, capturing the likeness of the subject.

  7. step 07

    Adjust the overall color balance and contrast to create a harmonious composition.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ivory black · yellow ochre · ultramarine blue

Mix various shades of brown and beige by combining burnt umber, raw sienna, and titanium white. Use small amounts of cadmium red and ultramarine blue to create subtle variations in skin tones and drapery.

techniques

  • ·portraiture
  • ·drapery rendering
  • ·glazing
  • ·scumbling
  • ·blending

common pitfalls

  • →Getting the proportions wrong
  • →Oversimplifying the skin tones
  • →Losing the sense of volume in the drapery
  • →Making the colors too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West