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home·artworks·Georg Gisze, a German Merchant in London
Georg Gisze, a German Merchant in London by Hans Holbein the Younger

plate no. 6888

Georg Gisze, a German Merchant in London

Hans Holbein the Younger, 1532

oil, oakNorthern Renaissanceportraitportraitfigurestill lifebooksmerchanttable
experienced study

Recreating this painting will help students develop skills in portraiture, still life painting, and rendering textures of various objects. It also provides practice in creating depth and detail in a complex composition.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a detailed sketch outlining the composition, including the figure, objects on the table, and background elements.

  2. step 02

    Establish the background color with a thin wash of green, paying attention to subtle variations in tone.

  3. step 03

    Block in the main shapes of the figure, focusing on accurate proportions and placement.

  4. step 04

    Begin layering colors on the face, building up highlights and shadows gradually.

  5. step 05

    Paint the clothing, paying close attention to the folds and textures of the fabric.

  6. step 06

    Render the objects on the table, focusing on accurate shapes, values, and details.

  7. step 07

    Add the lettering and inscriptions with a fine brush.

  8. step 08

    Refine the details and add final touches to create a sense of realism.

color palette

primary · ivory black · cadmium red · yellow ochre · viridian

secondary · raw umber · titanium white · gold

Mix greens by combining viridian with yellow ochre and white. Achieve the red hues in the sleeves by blending cadmium red with white and a touch of yellow ochre. Use raw umber and ivory black for shadows and details.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering textures
  • ·portraiture

common pitfalls

  • →Inaccurate proportions in the figure.
  • →Overworking the details too early in the painting process.
  • →Failing to create a sense of depth and atmosphere.
  • →Inconsistent lighting and shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (ivory black, cadmium red, yellow ochre, viridian, raw umber, titanium white)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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