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home·artworks·Geometric Hillside
Geometric Hillside by William Balthazar Rose

plate no. 4814

Geometric Hillside

William Balthazar Rose, 2018

oilCubismlandscapelandscapehillsfieldsmountainstreessky
some experience helpful

Recreating this painting will help students develop skills in simplifying complex landscapes into geometric shapes and understanding atmospheric perspective through color and value changes. It also provides practice in color mixing to achieve subtle variations in greens and blues.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the hills and mountains, focusing on the overall composition.

  2. step 02

    Divide the landscape into geometric planes, simplifying the forms of fields, trees, and buildings.

  3. step 03

    Start with the sky, applying a thin wash of light blue and gray, blending the colors softly.

  4. step 04

    Paint the distant mountains with progressively lighter and bluer tones to create atmospheric perspective.

  5. step 05

    Begin filling in the larger shapes of the fields and hills with base colors, using a mix of greens, yellows, and browns.

  6. step 06

    Add shadows and highlights to define the geometric planes and create depth.

  7. step 07

    Introduce details such as rows of trees and small buildings, keeping them simple and geometric.

  8. step 08

    Refine the edges of the shapes and add final touches to create a cohesive and balanced composition.

color palette

primary · sap green · yellow ochre · ultramarine blue · raw umber

secondary · titanium white · burnt sienna · cerulean blue

Mix greens by combining yellow ochre and ultramarine blue, adjusting the ratio for different shades. Achieve atmospheric perspective by adding white and a touch of cerulean blue to the mountain colors.

techniques

  • ·geometric abstraction
  • ·atmospheric perspective
  • ·color layering
  • ·flat brush application
  • ·value gradation

common pitfalls

  • →Overcomplicating the geometric shapes
  • →Failing to create a sense of depth
  • →Using colors that are too saturated
  • →Ignoring the atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (#2, #6)
  • ·flat brushes (#4, #8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·mineral spirits (if using oils)

optional

  • ·easel
  • ·medium gloss
  • ·painting rags

Use a medium-grain canvas for best results. Acrylics are easier for beginners, while oils offer more blending possibilities.

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oil painting for beginners →how to learn by studying the masters →
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