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home·artworks·Garlic Seller
Garlic Seller by Marianne Stokes

plate no. 3507

Garlic Seller

Marianne Stokes, 1909

oilArt Nouveau (Modern)portraitportraitfiguregirlgarlicclothinghair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding subtle color variations and layering techniques.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hand placement.

  2. step 02

    Block in the main areas of color: skin, hair, clothing, and background.

  3. step 03

    Begin to refine the skin tones, using subtle variations of pink, peach, and beige.

  4. step 04

    Develop the details of the hair, paying attention to the highlights and shadows.

  5. step 05

    Paint the clothing, capturing the folds and textures.

  6. step 06

    Add the garlic necklace, carefully rendering the shape and form of each bulb.

  7. step 07

    Refine the facial features, focusing on the eyes, nose, and mouth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt sienna · titanium white · yellow ochre · cadmium red

secondary · ultramarine blue · raw umber · alizarin crimson

Achieve skin tones by mixing white with small amounts of burnt sienna, yellow ochre, and cadmium red. Use ultramarine blue and raw umber to create muted grays for the background.

techniques

  • ·portraiture
  • ·color layering
  • ·blending
  • ·rendering
  • ·glazing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to capture the correct proportions of the figure.
  • →Ignoring subtle variations in skin tone.
  • →Overworking details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Acrylics will dry faster, while oils allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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