
plate no. 3507
Marianne Stokes, 1909
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding subtle color variations and layering techniques.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hand placement.
Block in the main areas of color: skin, hair, clothing, and background.
Begin to refine the skin tones, using subtle variations of pink, peach, and beige.
Develop the details of the hair, paying attention to the highlights and shadows.
Paint the clothing, capturing the folds and textures.
Add the garlic necklace, carefully rendering the shape and form of each bulb.
Refine the facial features, focusing on the eyes, nose, and mouth.
Add final details and highlights to complete the painting.
color palette
primary · burnt sienna · titanium white · yellow ochre · cadmium red
secondary · ultramarine blue · raw umber · alizarin crimson
Achieve skin tones by mixing white with small amounts of burnt sienna, yellow ochre, and cadmium red. Use ultramarine blue and raw umber to create muted grays for the background.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Acrylics will dry faster, while oils allow for more blending time.
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