apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Garden of an Inn Capri
Garden of an Inn Capri by Frederic Leighton

plate no. 1183

Garden of an Inn Capri

Frederic Leighton

oilAcademicismlandscapegardenarchitecturepalm treefoliageskybuilding
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding atmospheric perspective to depict distance.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the architecture, palm tree, and garden elements.

  2. step 02

    Establish the sky and distant mountain with light blues and grays, blending smoothly.

  3. step 03

    Block in the main shapes of the architecture with earth tones, paying attention to light and shadow.

  4. step 04

    Begin layering the foliage, starting with dark greens and gradually adding lighter shades to create volume.

  5. step 05

    Paint the palm tree, focusing on the individual fronds and their varied tones.

  6. step 06

    Add details to the architecture, such as windows and architectural details.

  7. step 07

    Refine the garden elements, adding highlights and shadows to create depth and texture.

  8. step 08

    Add final details and adjust values as needed to create a cohesive and realistic scene.

color palette

primary · ultramarine blue · burnt umber · titanium white · sap green

secondary · yellow ochre · cadmium red · raw sienna

Mix greens by blending sap green with yellow ochre and burnt umber. Create lighter tones by adding titanium white. Achieve the building's color by mixing burnt umber, raw sienna, and a touch of yellow ochre.

techniques

  • ·layering
  • ·blending
  • ·atmospheric perspective
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking the foliage, resulting in a flat and lifeless appearance.
  • →Failing to establish a clear light source, leading to inconsistent shadows.
  • →Using colors straight from the tube without mixing, resulting in a lack of harmony.
  • →Neglecting the importance of atmospheric perspective, making the background appear too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (ultramarine blue, burnt umber, titanium white, sap green, yellow ochre, cadmium red, raw sienna)
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a glazing medium to enhance the depth and luminosity of the colors.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus