apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Garde
Garde by Elizabeth Jane Gardner

plate no. 1525

Garde

Elizabeth Jane Gardner

canvas, oilAcademicismgenre paintingfiguresearocksdresshairlandscape
experienced study

Recreating this painting will help students develop skills in portraiture, including rendering skin tones and capturing subtle expressions, as well as practicing blending techniques to create soft transitions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and proportions.

  2. step 02

    Block in the main areas of color: skin, hair, dress, background.

  3. step 03

    Begin refining the skin tones, paying close attention to the subtle variations in light and shadow.

  4. step 04

    Develop the details of the hair, using thin layers of paint to create texture and depth.

  5. step 05

    Work on the folds and shadows of the dress, using a combination of blending and layering techniques.

  6. step 06

    Paint the background, focusing on the atmospheric perspective and the soft transitions between the sky and the sea.

  7. step 07

    Add final details, such as the highlights in the eyes and the texture of the rocks.

  8. step 08

    Glaze to unify the painting and adjust the values as needed.

color palette

primary · titanium white · ivory black · burnt umber · cadmium red

secondary · ultramarine blue · yellow ochre · viridian

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Use ultramarine blue and white for the sky and sea, adding a touch of viridian for the water's green hues.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the skin tones and losing the subtle variations in color.
  • →Creating harsh lines and edges instead of soft transitions.
  • →Failing to capture the correct proportions of the figure.
  • →Not paying enough attention to the atmospheric perspective in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Pre-toned canvas with a thin wash of burnt umber can be helpful.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus