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home·artworks·Gainsborough Dupont
Gainsborough Dupont by Thomas Gainsborough

plate no. 9455

Gainsborough Dupont

Thomas Gainsborough, 1773

oilRococoportraitportraitfigurehairclothinglaceface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding subtle color variations and blending techniques.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the oval shape and basic proportions of the head and shoulders.

  2. step 02

    Lightly block in the main areas of color: skin, hair, clothing, and background.

  3. step 03

    Begin layering the skin tones, focusing on the subtle shifts in value and hue.

  4. step 04

    Develop the hair, using short, directional brushstrokes to create texture and volume.

  5. step 05

    Paint the clothing, paying attention to the folds and highlights.

  6. step 06

    Add the details of the lace collar, using a fine brush.

  7. step 07

    Refine the background, blending the colors smoothly.

  8. step 08

    Add final highlights and shadows to enhance the form and create depth.

color palette

primary · titanium white · raw umber · ultramarine blue · yellow ochre

secondary · cadmium red light · ivory black

Mix skin tones using white, yellow ochre, raw umber, and a touch of red. Achieve the blue-green of the clothing by mixing ultramarine blue with yellow ochre and white. Use raw umber and black to create the darker tones in the hair and background.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·color mixing
  • ·rendering form

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to capture the subtle shifts in value and hue.
  • →Getting the proportions wrong, leading to an inaccurate likeness.
  • →Overworking the painting, losing the freshness and spontaneity.

materials

surface · stretched canvas

required

  • ·stretched canvas (oval shape if possible)
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·soft cloth

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

A smooth canvas surface will be best for blending. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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