apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Fuji from Lake Yamanaka
Fuji from Lake Yamanaka by Shotei Takahashi

plate no. 2296

Fuji from Lake Yamanaka

Shotei Takahashi, 1929

oilShin-hangalandscapemountainlakesnowhousestreessky
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to simplify complex scenes into basic shapes. It's also a good exercise in limited color palette painting.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes: mountain, lake, houses, and trees.

  2. step 02

    Establish the horizon line and the main compositional elements.

  3. step 03

    Apply a base layer of blue for the sky, fading lighter towards the horizon.

  4. step 04

    Block in the mountain with shades of gray and white, paying attention to the light and shadow.

  5. step 05

    Add the snow-covered ground and houses with variations of white and gray.

  6. step 06

    Paint the trees with thin branches, using dark browns and grays.

  7. step 07

    Add details like the reflections in the lake and the lights in the houses.

  8. step 08

    Refine the overall composition and add final touches.

color palette

primary · Prussian Blue · Titanium White · Payne's Gray

secondary · Burnt Sienna · Yellow Ochre

Mix different shades of blue and gray by adding white to Prussian Blue and Payne's Gray. Use Burnt Sienna and Yellow Ochre sparingly for the warm light in the houses and the subtle sunset glow.

techniques

  • ·Layering
  • ·Blending
  • ·Dry brushing
  • ·Atmospheric perspective
  • ·Limited palette

common pitfalls

  • →Overworking the details too early.
  • →Using too many colors and muddying the palette.
  • →Not establishing a clear value structure.
  • →Ignoring the atmospheric perspective and making the background too sharp.

materials

surface · Stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Acrylic or oil paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits (if using oils)
  • ·Rags

optional

  • ·Retarder medium (for acrylics)
  • ·Linseed oil (for oils)
  • ·Easel

Use a smooth canvas for easier blending. If using acrylics, consider using a retarder medium to extend the drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Xhosa woman

Xhosa woman

George Pemba

Spring Evening at Inokashira Park

Spring Evening at Inokashira Park

Hasui Kawase

Full Moon at Izu-ura, Ibaraki

Full Moon at Izu-ura, Ibaraki

Hasui Kawase

Frosty Morning in Nagaoka

Frosty Morning in Nagaoka

Hasui Kawase

Applying Powder

Applying Powder

Torii Kotondo

Drizzling Rain in Ukimido

Drizzling Rain in Ukimido

Asano Takeji

Woman in Summer Garment

Woman in Summer Garment

Goyo Hashiguchi

Twilight in the Village, Nara

Twilight in the Village, Nara

Asano Takeji