apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·From Another Approach
From Another Approach by Kay Sage

plate no. 7358

From Another Approach

Kay Sage, 1944

oilSurrealismlandscapegeometric shapesdraperyeggarchitectureskystill life
some experience helpful

Recreating this painting will help students develop skills in geometric form rendering, value shading, and creating a sense of depth through atmospheric perspective. It also provides an opportunity to practice painting drapery and smooth gradations.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic geometric shapes and the egg, paying attention to proportions and angles.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Block in the large areas of color, starting with the background sky and then the darker geometric forms.

  4. step 04

    Begin layering values within each shape to create depth and dimension, focusing on light and shadow.

  5. step 05

    Carefully render the drapery, paying attention to the folds and highlights.

  6. step 06

    Paint the egg, capturing its smooth surface and subtle shadows.

  7. step 07

    Refine the edges of the shapes and add any small details.

  8. step 08

    Add final highlights and shadows to enhance the sense of realism.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · payne's gray · cadmium yellow light

The background sky is achieved by mixing yellow ochre and white with a touch of raw umber. The darker shapes are created by mixing raw umber and payne's gray. The yellow drapery is a mix of cadmium yellow light and yellow ochre.

techniques

  • ·geometric form rendering
  • ·value shading
  • ·atmospheric perspective
  • ·drapery painting
  • ·smooth blending

common pitfalls

  • →Incorrect proportions of geometric shapes
  • →Uneven blending of values
  • →Overly harsh or undefined edges
  • →Ignoring subtle color variations

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)

optional

  • ·medium gloss
  • ·retarder medium
  • ·easel

Using a toned canvas can help establish the mid-tones and create a more cohesive painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The flash

The flash

Rene Magritte

Distress Call

Distress Call

Kit Williams

Indian Summer

Indian Summer

Abdul Mati Klarwein

Cabaret (Visul lui Omero)

Cabaret (Visul lui Omero)

Jules Perahim

Remember

Remember

Sabin Balasa

Paris dream

Paris dream

Max Ernst

The Crisis

The Crisis

Sabin Balasa

The great table

The great table

Rene Magritte