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French Cardinal by Jindrich Styrsky

plate no. 9810

French Cardinal

Jindrich Styrsky, 1941

collageSurrealismsymbolic paintingfigurecandlehatportraitreligioussurreal
some experience helpful

Recreating this collage-like painting will help students understand value relationships in grayscale and how to create a focal point through contrast. It also provides practice in rendering fabric and metallic textures.

technical profile

palette complexity
2
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to proportions and placement of the figure, candle, and hat.

  2. step 02

    Establish the background with a dark, even tone.

  3. step 03

    Begin blocking in the main values for the figure's face and drapery, focusing on the light and shadow patterns.

  4. step 04

    Develop the candle and candlestick, carefully rendering the metallic sheen and reflected light.

  5. step 05

    Paint the hat, paying attention to the details of the design and the way light interacts with the surface.

  6. step 06

    Refine the details of the face, including the eyes, nose, and mouth, using subtle value changes.

  7. step 07

    Add highlights to the drapery to create a sense of depth and volume.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the focal point is clear and the values are balanced.

color palette

primary · ivory black · titanium white · cadmium red light

secondary · raw umber · yellow ochre

Mix various shades of gray by combining ivory black and titanium white in different ratios. Use raw umber to create warmer grays and shadows. Mix cadmium red light with yellow ochre to create the hat's color.

techniques

  • ·grayscale rendering
  • ·value study
  • ·blending
  • ·highlighting
  • ·layering

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall composition.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle value changes in the face and drapery.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (round and flat)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·painting medium

Use a smooth canvas for best results. Consider using a medium to improve the flow of the paint.

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