apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Free Trappers
Free Trappers by Charles M. Russell

plate no. 9613

Free Trappers

Charles M. Russell, 1911

oilRomanticismgenre paintingmountainshorsefiguresnowrockssky
experienced study

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering complex textures like fur and rock. It also provides practice in painting figures and animals in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, horses, and mountains.

  2. step 02

    Establish the light source and map out the areas of light and shadow.

  3. step 03

    Block in the large areas of color, starting with the sky and mountains.

  4. step 04

    Begin to refine the details of the figures and horses, paying attention to anatomy and proportion.

  5. step 05

    Add texture to the rocks and ground using varied brushstrokes.

  6. step 06

    Develop the atmospheric perspective by layering colors and softening edges in the background.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Glaze areas to unify colors and create depth.

color palette

primary · ultramarine blue · burnt sienna · titanium white

secondary · yellow ochre · alizarin crimson

Mix various shades of blue and purple for the mountains. Use burnt sienna and white to create the warm tones of the horses and figures. Add touches of yellow ochre and alizarin crimson for highlights and shadows.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the principles of atmospheric perspective.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, burnt sienna, titanium white, yellow ochre, alizarin crimson)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke