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home·artworks·Frederick the Great
Frederick the Great by Antoine Pesne

plate no. 7495

Frederick the Great

Antoine Pesne, 1736

oilRococoportraitfigureportraitarmorclothinghelmetsky
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in rendering realistic skin tones and clothing textures, as well as understanding atmospheric perspective in the background.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and proportions.

  2. step 02

    Block in the background with diluted washes of blues, greens, and browns, creating a soft, cloudy effect.

  3. step 03

    Establish the main values of the figure, starting with the skin tones and then the armor and clothing.

  4. step 04

    Develop the details of the face, paying attention to the subtle shifts in color and value.

  5. step 05

    Add the details of the armor and clothing, including the intricate embroidery and the reflective surfaces of the metal.

  6. step 06

    Refine the background, adding subtle details and adjusting the values to create depth.

  7. step 07

    Glaze the painting to unify the colors and add depth.

  8. step 08

    Add final highlights and shadows to enhance the realism of the painting.

color palette

primary · titanium white · ultramarine blue · cadmium red · yellow ochre

secondary · burnt umber · viridian green · ivory black

Mix skin tones using titanium white, cadmium red, yellow ochre, and a touch of burnt umber. Achieve the blue of the clothing by mixing ultramarine blue with a touch of ivory black and titanium white for highlights.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering metal

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details of the clothing and armor.
  • →Creating a background that is too busy or distracting.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

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