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home·artworks·Frederick II of Prussia
Frederick II of Prussia by Antoine Pesne

plate no. 8300

Frederick II of Prussia

Antoine Pesne, 1750

oilRococoportraitportraitfigureclothinghistorical figurehatrococo
experienced study

This painting provides an opportunity to practice portraiture, including rendering skin tones and capturing likeness. Students can also learn about depicting intricate details in clothing and accessories.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and major clothing elements.

  2. step 02

    Establish the background color with a thin wash of paint.

  3. step 03

    Block in the main areas of color for the skin, hair, clothing, and hat.

  4. step 04

    Begin refining the skin tones, paying attention to subtle variations in color and value.

  5. step 05

    Develop the details of the clothing, including the intricate embroidery and embellishments.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the facial features, capturing the likeness of the subject.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · titanium white · ivory black · cadmium red · ultramarine blue

secondary · yellow ochre · burnt umber · raw sienna

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of blue or umber. The blue clothing requires mixing ultramarine with black and white for highlights. Orange is created by mixing red and yellow.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·rendering
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Overblending skin tones, resulting in a flat appearance.
  • →Getting lost in the details of the clothing before establishing the overall form.
  • →Failing to capture the likeness of the subject.
  • →Uneven color mixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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