apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Francis Osborne, 5th Duke of Leeds
Francis Osborne, 5th Duke of Leeds by Benjamin West

plate no. 6733

Francis Osborne, 5th Duke of Leeds

Benjamin West

oilRococoportraitportraitfigureclothinghistoricalmale
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions, rendering skin tones, and depicting complex fabric folds and textures. It also provides practice in creating a sense of depth and atmosphere through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose and proportions.

  2. step 02

    Block in the main areas of color: skin, hair, clothing, and background.

  3. step 03

    Begin refining the skin tones, paying attention to highlights and shadows.

  4. step 04

    Develop the details of the clothing, focusing on the folds and textures.

  5. step 05

    Add the gold embellishments on the clothing, using a fine brush.

  6. step 06

    Refine the background, creating a sense of depth and atmosphere.

  7. step 07

    Add final details and highlights to the face and clothing.

  8. step 08

    Glaze to unify the colors and add depth.

color palette

primary · titanium white · burnt sienna · cadmium red · ivory black

secondary · yellow ochre · ultramarine blue · raw umber

Skin tones are achieved by mixing white, burnt sienna, and a touch of red. Darker tones are created by adding small amounts of black or umber. The clothing is primarily white with subtle grays and browns mixed in to create shadows and folds.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to create a sense of depth in the clothing.
  • →Making the gold embellishments too bright or overpowering.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. A smooth canvas surface is recommended for achieving the subtle blending of skin tones.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West