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home·artworks·Francis Godolphin, 2nd Earl of Godolphin
Francis Godolphin, 2nd Earl of Godolphin by Jean-Baptiste van Loo

plate no. 6213

Francis Godolphin, 2nd Earl of Godolphin

Jean-Baptiste van Loo, 1745

oilRococoportraitportraitfiguremanclothingwiglace
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in painting textures like fabric and lace.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure, focusing on proportions and pose.

  2. step 02

    Block in the main areas of color: background, skin tones, wig, and clothing.

  3. step 03

    Refine the skin tones, paying attention to subtle variations in color and value.

  4. step 04

    Add details to the wig, using small brushstrokes to create the illusion of individual hairs.

  5. step 05

    Paint the clothing, focusing on the folds and shadows to create depth.

  6. step 06

    Add the lace details, using a fine brush and light colors.

  7. step 07

    Paint the buttons, adding highlights and shadows to make them look three-dimensional.

  8. step 08

    Refine the background and add any final details.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · burnt sienna · ultramarine blue

Mix skin tones by blending white, red, yellow ochre, and a touch of umber. Use ultramarine to cool down skin tones. Achieve the dark brown of the coat by mixing umber, black, and a touch of red.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in skin tone.
  • →Getting lost in the details and losing the overall composition.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (ivory black, raw umber, titanium white, cadmium red light, yellow ochre, burnt sienna, ultramarine blue)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium (e.g., Liquin)

Use high-quality oil paints for best results. Consider using a medium to speed up drying time.

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oil painting for beginners →how to learn by studying the masters →
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