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home·artworks·Fonthill Redivivus, Wiltshire 1740
Fonthill Redivivus, Wiltshire 1740 by George Lambert

plate no. 8642

Fonthill Redivivus, Wiltshire 1740

George Lambert

oilRococolandscapelandscapetreesskybuildingfiguresfoliage
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering foliage and architectural details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, building, and major tree masses.

  2. step 02

    Block in the sky with light blue and white, blending softly.

  3. step 03

    Establish the distant hills with muted greens and blues, using lighter values for areas closer to the horizon.

  4. step 04

    Paint the building with a warm beige or light brown, adding details like windows and architectural features.

  5. step 05

    Layer in the foliage, starting with darker greens in the foreground and gradually lightening towards the background.

  6. step 06

    Add details to the trees, including branches and leaves, using a variety of greens and browns.

  7. step 07

    Paint the figures in the foreground with small brushstrokes, using muted colors.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · titanium white · yellow ochre · burnt umber

secondary · sap green · cadmium yellow · raw sienna

Mix greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by adding white to colors for distant elements.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·blending
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking details in the background
  • →Creating too much contrast in distant elements
  • →Using too much pure color without mixing
  • →Ignoring the subtle value shifts in the foliage

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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