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home·artworks·Flower seller at the Parthenon
Flower seller at the Parthenon by Théodore Ralli

plate no. 8702

Flower seller at the Parthenon

Théodore Ralli

watercolor, paperAcademicismgenre paintingfigurearchitectureflowerscolumnssmokeinterior
some experience helpful

Recreating this painting will help students develop skills in watercolor layering, creating atmospheric perspective, and rendering figures within an architectural setting. It also provides practice in depicting subtle light and shadow.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the building structure, figures, and key objects.

  2. step 02

    Apply a light wash of diluted colors to establish the overall color scheme and background.

  3. step 03

    Layer in the architectural details, focusing on creating depth and perspective with subtle color variations.

  4. step 04

    Paint the figures, starting with light washes and gradually building up the darker tones and details.

  5. step 05

    Add the flowers and other small details, paying attention to their colors and textures.

  6. step 06

    Refine the shadows and highlights to create a sense of depth and realism.

  7. step 07

    Add the smoke effect with very diluted washes of grey and white.

  8. step 08

    Make final adjustments to the colors and values to achieve the desired effect.

color palette

primary · raw sienna · burnt umber · ultramarine blue

secondary · alizarin crimson · yellow ochre · payne's gray

Achieve the various stone and fabric colors by mixing raw sienna and burnt umber with small amounts of ultramarine blue. Dilute with water to create transparent washes.

techniques

  • ·watercolor washes
  • ·dry brushing
  • ·glazing
  • ·atmospheric perspective
  • ·figure rendering

common pitfalls

  • →Overworking the watercolor and losing the transparency.
  • →Creating muddy colors by mixing too many pigments.
  • →Failing to establish a clear light source.
  • →Not paying attention to the proportions of the figures and architecture.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper (140lb)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser
  • ·masking fluid

optional

  • ·palette knife
  • ·ruler
  • ·watercolor pencils

Use high-quality watercolor paper to prevent buckling and allow for multiple layers. Experiment with different brush sizes to achieve various effects.

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watercolor techniques →how to learn by studying the masters →
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